Mamiya 7 Ii Pro Crack And Had
It does not really have the grace and refinement of its Leica mother, but it has her eyes. Now imagine if that Leica smoked a bunch of crack and had a baby with a Mamiya RZ67 – the child would be the Mamiya 7II. Being an SLR with a built-in bellows, it’s the perfect camera for shooting close-up subjects, as well as using longer telephoto lenses.Imagine if you will, a mild-mannered Leica M7. Quiet, compact and lightweight, the Mamiya 7 II has a built-in Aperture Priority A/E meter with fully manual exposure capability.The Mamiya RB67 Pro-S works for me as a practical complement to my Mamiya 7 II, and can do many things that the beloved rangefinder cannot. It is 'The Ultimate 6x7 Rangefinder', virtually no bigger than the top 35mm SLRs. The Mamiya 7 II is a medium format 6x7cm rangefinder camera with interchangeable leaf shutter lenses.
Mamiya 7 Ii Pro Pro SLR Like
I am leaning towards getting the Mamiya RZ67 Pro II, except that I want a camera that is excellent for studio and good for travel/outdoor pictures. This is quite a feat when you compare it to one of Mamiya’s other 6x7cm camera, such as the RZ67 which weighs in 5.5lbs with a standard lens…not to mention that it looks like a rocket launcher.Pro II, Mamiya 7, and the Bronica GS-1 are the three cameras that have caught my eye however I would like some user's opinions on the benefits and limitation of these three cameras. Though the Mamiya 7II is certainly bigger than a 35mm rangefinder, it is approximately the same size as a pro SLR like the Nikon F5 or EOS 1VS. To put this in perspective, that is actually less than an MP with a noctilux or just a few grams more than the MP with the 75mm summilux or a 90mm APO ASPH. It weighs in at 2.6lbs with the 80mm lens. Despite the giant negative, the camera remains rather small and light.
The planar is a very old and highly corrected design. The Leica Summicron has been unchanged since the 70s, while the Canon lens is almost identical to the FD version released in the 80s. To be considered among these lenses is a huge honor. Among the very few lenses to test above it are the Leica 50mm f/2 summicron, Canon EF 85mm f/1.2L and highest of all at 4.7, the Contax G Planar 45mm f/2. Photodo.com’s MTF tests rate the Mamiya 80mm f/4 at 3.9, while the 150mm f/4.5 is the highest rated medium format lens at 4.3. Mamiya’s 80mm and 150mm lenses are among the best tested medium format lenses by any manufacturer, including Hasselblad.
Not only are the lenses terrific and the format massive, like any non-SLR camera, the Mamiya 7II benefits from the lack of vibration that is present whenever a mirror is incorporated into the design. The quality of resolution and tonality of this camera is astonishing. Imagine the utmost peak of resolution for 35mm and then imagine a film that is 414% larger – then you have the Mamiya 7II with 150mm lens.
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